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This is supposed to make the character more human without affecting their present "perfection." This can also go for villains, and here it's an easy trap to fall into: sometimes one is meant to be more complex or morally gray, but their Freudian Excuse just doesn't cover the acts they go on to commit.
Yeah, we're sorry your little sister died in that building the superhero battle knocked over, but that doesn't give you a free pass for trying to blow up the hero's entire planet.
However it's important to note that there are varying degrees of this.
For example in one scenario the audience may not sympathize with a character in a particular scene but they can still be overall sympathetic.
But for the hero in green, it's changing for the worse.
Whereas in another situation it's impossible to sympathize with the character at any point. A legitimate cause for Angst in the country that it was produced might seem like Wangst to fans abroad, and what might be acceptable behavior in one country might lose a character a great deal of respect from fans in another.
This is the opposite of Unintentionally Sympathetic, and can be the result for those who are opposing characters who are more sympathetic than the author intended.
When a character's supposed insecurities or embarrassing quirks are supposed to inspire sympathy, but fail to impress the audience because they're mishandled or plain written badly.
It can be made even worse if they have to learn a lesson.
From time to time, I type this stuff up, and that is the crap you read here.